There’s something ‘classic’ about Jules’ compositions on ‘At GRM’. The two long-form pieces, each around 17 minutes in duration, are composed of long, deliberate washes of sound that gradually turn and transition.
Vaporous, amorphous, cloud-like drones drift, ebb and flow, tapering in and out, overlapping and interweaving. Uplifting, mellow and serene, ‘At GRM’ is the very essence of musical abstraction – and that’s precisely what makes it.
Marsen Jules Online
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