Washington-based Tin Sprocket (http://www.tinsprocket.com) balance the line between Americana and modern pop/rock as well as the Wallflowers did ten years ago (has it been that long?). The difference, though, is that the Wallflowers had the benefit of a famous bloodline (Dylan) and a major label (Interscope). Tin Sprocket, on the other hand, are an indie group obviously without the resources to appropriately give their material enough slickness to take them up the charts.
But, on a college-radio level, I like them just fine. At times Tin Sprocket can resemble a younger Toad the Wet Sprocket (hmm?), especially on "Nothing To Coming Home To" or Matchbox 20 on "Givin In Again." Leader Pete Owens has a pleasant, radio-friendly voice. Those used to more adventurous fare may find the material, and Owen's vocals, rather tame and plain; however, roots rock is supposed to be down to Earth.
|
Tin Sprocket aren't afraid to look beyond their Americana heroes for inspiration, either. "Remember the Day" gives off a slightly Weezer-esque vibe, and the funky riffs on "Higher Price to Pay" show that the band isn't locked into a single flavor. "Momma Momma" is the closest that Tin Sprocket come to Americana's country background; however, that is mainly due to Owens' harmonica.
This isn't a group that is trying to change the world or challenge musical conventions; they're just a good band with no pretentions.
|
