For those unfamiliar with it, the bandoneon is an instrument that looks somewhat like an accordion but they create a different note when played closing then when played opening. It's not an instrument that you hear too often except in Argentina, where it is a staple of the tango orchestra. Hector Del Curto (http://www.hectordelcurto.com) is a musician who has mastered this intriguing instrument. On "Eternal Tango," Del Curto uses the bandoneon so skillfully it's like a part of his own body; it is an extension of himself, creating a bridge from his heart to the souls of his listeners.
The bandoneon actually has it roots in Germany; however, German immigrants began bringing the instrument with them to Argentina, and it was quickly adopted by the local musicians. The compositions that Del Curto works with here combine the smooth elegance of classical with the brash energy of jazz; it's an intoxicating, inspiring work of art that is compelling from start to finish.
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"A Evaristo Carriego" opens up with soothing piano textures that erupts into a gorgeous, sweeping string section; it is cinematic and utterly beautiful. On "Loca Bohemia," Del Curto's bandoneon evokes a sparkling sunny mood. He is truly one with his instrument, engaging the ears with the vivid images that he conjures from his playing. His bandoneon takes center stage on "Los Magos" wherein Del Curto stuns us with his virtuosity; it will leave you breathless.
This is, without a doubt, a masterpiece, a labor of love; Del Curto impresses, entertains, and leaves us gasping for more.
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