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Review: 'Sparks, Tori'
'Until Morning / Come Out of the Dark'   

-  Album: 'Until Morning / Come Out of the Dark' -  Label: 'Glass Mountain Records'
-  Genre: 'Alt/Country' -  Release Date: '14th September 2011'-  Catalogue No: 'GMR 7'

Our Rating:
Female singer songwriters delivering with slightly smoky, jazzy voices are two a penny, but across this double-disc set, which effectively comprises two mini-albums, Tori Sparks makes every effort to prove that she's got an edge that sets her apart.

In places, she succeeds, and in a convincing fashion, hitting the listener with gutsy vocals and intelligent, articulate lyrics that are characterful, clever and really rather good. She's clearly got an ear for a sharp phrase and knows how to render a scene in words.

Unfortunately, she doesn't manage to sustain the standard throughout. 'Until Morning' – the song – is the first real let-down; with only the sparsest and simplest instrumentation, primarily lap-steel and violin accompany Tori's voice as she iterates and reiterates 'I love you', it all gets a bit slushy (although I won't go so far as to say it gets Natasha Bedingfield, even if it is a little close for comfort). It's a bit drab and slushy and precisely the sort of thing that gives female singer songwriters with slightly smoky, jazzy voices a bad name.

To all intents and purposes, 'Over' is a power ballad, but it's been a while since belting out lyrics about standing strong was fashionable and in some ways, a song like this is quite welcome by way of a change. Plus, Tori has both a good, strong yet cracked vocal delivery and pens unconventional lyrics that have the capacity to grab the listener's attention.

Sadly, 'My Delilah' isn't the strongest start to 'Come Out of the Dark', being just altogether too much a straight country number. Even more sadly, it's about as good as it gets.

A large part of the problem is that there isn't as much sass or gusto about 'Come Out of the Dark' - but equally, there isn't enough to differentiate it from 'Until Morning', and for this split format to be effective - or worthwhile - there really needs to be more of a contrast – or, ideally, less material. There are some strong songs in here, but their effectiveness gets dilutes by the weaker ones, and I can't help thinking that this would have been much better had it been whittled down to a single disc mini-album.

Tori Sparks Online
  author: Christopher Nosnibor

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Sparks, Tori - Until Morning / Come Out of the Dark