We are looking at an engineer/musician, Joe Watson here. Keyboardist with Stereolab since 2004, he has put together a glitchy, childish affair that is brave enough to go it’s own way inside four minutes.
It flips and flops along with a vague eighties vocal on top. It’s early electronic and a bit hypnotic and it fucks out at the end. Howard Jones and John Foxx shake hands in a grey light after too much sake. The album could be interesting.
Bureau-B Records online
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