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Review: 'White Blush'
'White Blush (EP)'   


-  Genre: 'Pop'

Our Rating:
Why would anyone call a song Jolene? It’s not exactly a common girl’s name, and any girl called Jolene is likely to be – rather unfortunately, if you think about it – named after the Dolly Parton song. Nevertheless, former Sister of Mercy Andreas Bruhn did it on his ‘Broon’ album, and now we have White Blush featuring a Jolene on her eponymous debut EP.

White Blush is LA-based Carol Rhyu, who draws reference and influence from old horror films, minimalist pop, and Julee Cruise, to weave a tapestry of ‘Dream Pop / Indie / Electronica’. In fairness, ‘Jolene’ isn’t bad, and the EP does also feature another six tracks of sparse synths and whispy vocals. ‘True Luv’ sounds like a cross between something from the first She Wants Revenge album and Cranes gone electro. It does have pop leanings, but the atmosphere is decidedly dark: think very early New Order and other acts on the Factory roster in the early 80s like ACR and you’re on the right track.

‘Wait’ is particularly minimalist and haunting, Rhyu’s vocal’s spine-tinglingly evocative as they float through a thin wash of synth in a haze of brittle reverb before being carried away on the mesmeric swampy pulsations of ‘808 Mist’. The final track, ‘Juice of My Heart’ is propelled by a sturdy beat and sonorous bass, which leaves Rhyu sounding even more fragile and lost and rounds off an extremely appealing release.

White Blush Online
  author: Christopher Nosnibor

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White Blush - White Blush (EP)